NINETEENTH-CENTURY AMERICAN DESIGNERS AND ENGRAVERS OF TYPE.

April 16th, 2009

I’m very pleased — nay, delighted! — to say that Oak Knoll Press has just announced, in their Spring catalogue, a book that Alastair Johnston and I have been working on for the past year:
Nineteenth-Century American Designers and Engravers of Type, by William H. Loy.

Loy’s text originally appeared as a series of articles in The Inland Printer, 1898-1900. He prersented brief biographies of the leading type designers of his day, with their photographs, and a list of their types. His original plan was to show specimens of the faces that they had designed or engraved, but that was not possible.  Now Loy’s original intention has finally been realized, with about 800 hi-resolution scans from my type specimen books. In addition, many faces have been culled from the US Patent Office  typeface design patents.  ( For instance, we have found many unknown typefaces of Herman Ihlenburg, designed for foundries other than MacKellar, Smiths & Jordan.) Alistair has written a biography of Loy, and I have written about type production in the nineteenth century. With separate indices of typefaces and of design patents.

Available July 2009

NINETEENTH-CENTURY AMERICAN DESIGNERS AND ENGRAVERS OF TYPE.
Loy, William E. (edited by Alastair M. Johnston and Stephen O. Saxe)

- New Castle, Delaware : Oak Knoll Press 2009
- 9 x 12 inches
- hardcover, dust jacket
- 164 pages
- ISBN 9781584562610 / Order Nr. 96679
- Price: $ 59.95

More at the Oak Knoll website:
http://oakknoll.com/detail.php?d_booknr=96679&d_currency=

-Steve Saxe

BOOK BINDING BASICS Portland, OR

April 16th, 2009

Experience the freedom of self-publishing. This introductory work shop will
give students the tools to turn their writings, journals, poems, zines,
collage, or artwork of any kind into a bound edition. Three non-adhesive
bindings will be taught, along with many variations. Within these three
binding styles, a wide variety of design options, both complex and simple,
will equip the student for coming up with unique, accessible ways to
transform their ideas into finished books. Students will learn how to
prepare their content for easy reproduction, printing, and binding. The
advantages and disadvantages of making a single copy versus a numerous
edition will be covered. Workshop fee is $70 plus $15 materials fee.

More information and online registration can be found at:
http://23sandy.com/Appella/Workshop.html
Or call 503-927-4409. 23 Sandy Gallery, 623 NE 23rd Ave., Portland OR,
www.23sandy.com.

Women’s Studio Workshop: Summer Catalog

April 16th, 2009
The Women’s Studio Workshop
Summer Arts Institute 2008

This summer, take a week to yourself to enjoy one of our intensive art workshops in a beautiful Hudson Valley setting. Learn new techniques in print making, paper making, book arts, photography or ceramics, in an environment that encourages and challenges artists with every level of background and experience. Our class rooms become forums for exchanging ideas among peers, and offer 24-30 hours of instruction plus additional hours of free studio time.

May 1 registration deadline for our ITALY WORKSHOPS
Don’t miss out on this fabulous opportunity to travel abroad. Register now to reserve a workshop rate that will cover not only your class, but all of your lodging & all of your meals as well! Explore non-toxic techniques in Silk Aquatint, or Japanese Woodblock printing in a gorgeous Tuscany setting.

May 15 deadline for SUMMER ARTS SCHOLARSHIP APPLICATIONS
WSW offers need-based assistance to a number of summer students enrolled in our Rosendale workshops.

Don’t hesitate to call or write if you have questions about the Summer Arts Institute, or any of our deadlines. A full course catalog is available online or in print upon request. For more information, visit us at www.wsworkshop.org.

Women’s Studio Workshop
722 Binnewater Lane, PO BOX 489
Rosendale NY 12472
Phone: (845) 658-9133
Fax: (845) 658-9031

Library Poster

March 24th, 2009

Rare Book School

March 24th, 2009

The Graduate School of Library and Information Science invites you to join us this summer in courses offered by Midwest Book and Manuscript Studies (MBMS) program at the University of Illinois. Course topics include medieval codicology, rare book crime and punishment, and rare book cataloging (see course descriptions below). These courses may be taken on a credit or non-credit basis. Formal admission to the University is not necessary, but a bachelor’s degree is required.

May 18-29 (Mon-Sat first week, then Tu-Fri)
590MC MEDIEVAL CODICOLOGY: The Medieval Book from Sheep to Shelf

This course looks at the emergence of the codex as the primary form of book in the West. We shall consider the physical and intellectual developments of the codex, from the writing of the text to its final presentation on the page. Students will follow the text from the author to the book designers to the scribe to the illustrator to the binder to the reader, with stops along the way concentrating on tools, design, layout, ruling, illumination, and binding. We shall also look at modern approaches to codicology, including monastic versus commercial scriptoria, editing a medieval manuscript, paleography, dating, establishing provenance, and so forth. And we shall answer the question: What should a scholarly edition of a medieval text look like? Credit: 2 GR hours

Faculty: Sid Berger, Phillips Library, Peabody Essex Museum and Simmons College
Time: 1:00 p.m. - 3:50 p.m.

June 1-12 (M-F)
590CP Rare Books, Crime, and Punishment
Explores crimes against culture in the form of rare books, maps, manuscripts and archival documents. From theft for profit to counterfeiting and vandalism, this class will focus on the myriad ways that unique and irreplaceable cultural heritage items are taken from us. The professional librarian and archivist communities, the general public and law enforcement have all treated these crimes very differently. This class will look at the ways that each of these communities reacts to these crimes and the reasons for these varied reactions. The class will also trace the evolution of the way these crimes have been viewed by various communities and what recent, positive changes might mean for the future. Aside from the historical and theoretical, this class will also discuss the practical: how these crimes are committed and by whom as well as how they can be (and are being) prevented. Credit: 2 GR hours

Faculty: Travis McDade, University of Illinois at Urbana-Champaign
Time: 1:00 p.m. - 3:50 p.m.

July 20 - 31 (M-F)
590BC Rare Book Cataloging
Description: Introduction to the cataloging of books from the hand-press period using the standards outlined by Descriptive Cataloging of Rare Materials (Books). Exploration of concepts particular to rare books such as bibliographic format, edition, issue, and state. Application of controlled vocabularies/thesauri in a rare books context. Practical, hands-on experience cataloging rare books. Pre-requisites: Basic and advanced cataloging. Credit: 2 GR hours

Faculty: Chris Cook, Head of Rare Book Cataloging and Visiting Assistant Professor, University of Illinois at Urbana-Champaign
Time: 1:00 p.m. - 3:50 p.m.

For additional information on the MBMS program and these courses visit:
http://www.lis.uiuc.edu/programs/mbms/
Marianne Steadley
Continuing Professional Development Program Director
501 E. Daniel St. Champaign IL 61820
217/244-2751
Fax: 217/244-3302

Classes at Green Heron Book Arts, Forest Grove, OR

March 24th, 2009

Spring and Summer Classes at Green Heron Book Arts, Forest Grove, OR. For
more information or a PDF version of the complete schedule contact
pagrass@aol.com

Italic Calligraphy
Greek Sewing
Little Jewel
Japanese Bookbinding
Belgium Binding with Metal Clad Cover

If you are coming to the Focus on Book Arts Conference, June 24-28, and can
come a few days early you might be interested in the following class. This book
was a scholarship raffle prize in 2007.
My Year– A Box, Four Diaries and A Photo Album

Other Boxmaking Classes
Thread Box
Journey Box and Journal

Time to stock up on paper and fabric. In August we will have a series of
surface decoration classes to get ready for a bountiful Fall bookmaking season.
Marbling
Suminagashi Marbling & Orizomegami
Batik Paper
Paste Grain Paper
Printing Fabric on the Computer

Salem Literature Festival

March 24th, 2009

Salem Literature Festival

Second Annual Literary Festival

March 27-29, 2009
Salem, Massachusetts

From March 27th through March 29, Salem, Massachusetts will take the weekend to celebrate the literary arts with author readings, writing workshops, open mics, word-game tournaments, parties, and more!

HISTORIC DOWNTOWN SALEM will provide the setting for Literally Salem, Salem’s annual literary festival, with events taking place at several centralized downtown locations.

Preview of Events
(Below is a just partial sampling of what we have planned)
See the Schedule Page for the complete listing of events!

Author Readings
Brunonia Barry (The Lace Reader, Harper Collins, 2008)
Hannah Tinti (The Good Thief, Dial Press, 2008)
Adam Braver (Mr. Lincoln’s Wars, Divine Sarah, November 22,1963 and others)
Jan Elizabeth Watson (Asta in the Wings, Tin House Books, 2009)
Laurie Stolarz (Deadly Little Secret, Project 17, Blue is for Nightmares and others)
Stacy DeKeyser (Jump the Cracks, Flux, 2008)
The Best Women’s Travel Writing 2009

Other Events
Thursday’s Theater of Words & Music
(Emerging Writers & Artists showcase their works, followed by open mic)
Scrabble Tournament (back by popular demand!)
A Tribute to John Updike
Salem Theatre Company’s An Evening of Pinter

St Bride Lecture Type Revivals

February 19th, 2009

Matthew Carter
Genuine imitations:
a type designer’s view of revivals

The Justin Howes Memorial Lecture 2009.
Thursday 28 May at 7.00pm

  • In the Bridewell Hall
  • Admission is free but by pre-booked ticket only.

A number of Matthew Carter’s designs have been based on historical types: ITC Galliard, Big Caslon, Big Figgins, Miller and Vincent among them. Others, like Snell Roundhand and Mantinia, were derived from non-typographic sources from the past. In this lecture he explains his debt to the historical legacy – especially to the resources of St Bride’s. His type revivals have varied in faithfulness to their models, which raises questions about the responsibilities of the continuator of traditional forms, about degrees of interpretation, adaptation to current technology, ancestor worship and travesty. Justin Howes would certainly have disapproved of some, at least, of Matthew’s revivals. This lecture is offered, therefore, in affectionate memory of a historian and fellow type-reviver who might not have agreed, but certainly enjoyed a good argument.

Matthew Carter is a type designer with fifty years’ experience of typographic technologies ranging from hand-cut punches to computer fonts. He is a principal of Carter & Cone Type Inc., in Cambridge, Massachusetts, designers and producers of original typefaces. His type designs include ITC Galliard, Snell Roundhand, Bell Centennial, Big Caslon, Skia and Miller. For Microsoft he designed the screen fonts Verdana, Tahoma and Georgia. Carter is a Royal Designer for Industry and a recipient of the AIGA medal and the Type Directors Club medal. In 2004 he received the Special Commendation of the Prince Philip Designers Prize ‘for outstanding achievement in design for business and society’. He has taught for many years at Yale’s graduate school of Graphic Design.

Tickets